Creating the Cover: “Of Sea and Seed”

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by @AnnieDaylon

When I finished writing Of Sea and Seed, The Kerrigan Chronicles, Book I, I realized that it was not only the ocean that connected all the main characters, it was also a small boat. I decided instantly that the cover had to incorporate both of those images. I did not expect the attention that that decision garnered.

The cover for Of Sea and Seed has been featured on Indie Brag’s Cover Crush Blog and has appeared under the Small Boats category on Fictionophile’s Cover Love Blog. 

Recently, this same cover won an award — the 2017 Best Literary Fiction Cover Design from B.R.A.G. Medallion.

 

 

The creation of this cover started with the title and even that underwent a few changes… that happens to all my titles. This one was initially called Wave over Wave.

Gradually, I came to know that the sea was a metaphor for the matriarch of the story and the seed a metaphor for her offspring. Somewhere around that time, I read Steinbeck’s Of Mice and Men and well… you can guess the rest. 

What about the small boat?
Each of the three point-of-view characters in Of Sea and Seed experiences a life-or-death situation in a small, traditional fishing boat, called a dory*.

I began the hunt for photos of sea and dory. I looked through all pictures I could find by Newfoundland photographers but could not find what I wanted, a picture of a lone dory tossed in a powerful sea. It was at my go-to site, Shutterstock, that I found the image below (© Andrejs Pidjass, www.nejronphoto.com.)

*Wikipedia Definition: “The dory is a small, shallow-draft boat, about 5 to 7 metres or 16 to 23 feet long. It is usually a lightweight boat with high sides, a flat bottom and sharp bows. They are easy to build because of their simple lines. For centuries, dories have been used as traditional fishing boats, both in coastal waters and in the open sea.”

From there, I worked with the design team at Create Space.

The traditional Lunenberg dory, as depicted on the cover, has a yellow base and dark green gunwales. There’s a reason for those colors: the yellow makes the base visible against the water; the dark green makes the gunwales (the upper edges of the side of the boat) visible in the fog.

I asked the design team if they could make the green color pop a bit more. They responded by reversing the colors, putting the green on the base, the yellow on the gunwales.  Uh-oh!
I knew better than to let that pass but I got a second opinion from my brother Richard who did not mince words. “No fisherman in his right mind  would have gone on the ocean in that thing.”  The act of reversing the colors had negated their purpose, making the dory unsafe, and making my dory story less plausible.

I explained. Create Space amended, happily.

I also requested that Create Space remove the red gas can in the above image (barely visible, but none of the dories in my story had one, so I wanted it gone.) Done!

One choice that Create Space made without any input from me was to flip the image of the dory. I instantly took a liking to the switch. If left to my own devices, I never would have come up with such a perfect detail. (It’s great to have a design team.)

I provided Create Space with all of the information required for the rest of the cover… blurbs, back copy, and my imprint (McRAC Books) with Logo. The fonts (love them!) were chosen by my Create Space Design team. 

I am currently entrenched in writing Book II of the Kerrigan Chronicles, this one titled Of Sea and Sand.  (Could change, stay tuned.) As I work, I am keeping cover possibilities in mind. There will be an ocean. No doubt about that. But what else? I am looking for commonalities, one of which will surely leap to the fore and land on the cover.


NEWS FLASH!   This weekend, I learned that Of Sea and Seed is a semi-finalist in the Literary Fiction genre of the Kindle Book Review’s Kindle Book Awards. Goes without saying that I was thrilled and immediately sent in my email requesting the semi-finalist sticker.

( A note to Lynne Legrow , a.k.a. @fictionophile: Thanks for putting my book in the Small Boat Category of your Cover Love Series, but, with another sticker on the way, I think I’m gonna need a bigger boat!  Ha!)



Readers, love looking at great covers? Writers, looking for great  cover ideas? Check out the covers posted in the Fictionophile Cover Love Series! So many themes: windows, lakes, doors, gates, jars, piers, umbrellas… over thirty categories to choose from. Lots of fun!


Many thanks to all who helped make the cover of Of Sea and Seed a success!

My best to you,

Annie Signature Light Blue

My Personal Literary Canon

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by @AnnieDaylon

The term “literary canon” refers to a collection of works considered representative of a period or genre.

Having studied English Literature (Renaissance, 19th century, Canadian Lit., and Shakespeare), I was familiar with the term, but it was not until I read “Speaking of the Canon” , a post by agent/blogger Janet Reid, that I gave serious thought to the idea of a personal literary canon.

Janet Reid begins her post as follows: “The canon is what one must have read to be considered well-educated. There is the canon for Western civilization which is largely books that are non-fiction. There is the canon of English literature (the books you’d see in an English Lit survey class in college.) There is the canon for literature of the American West.” She goes on to say that there is also a canon for whatever genre you write in.

I write historical suspense set in Newfoundland, modern day suspense set in Vancouver, and short stories with… you guessed it, suspense. I read a lot, nonfiction and fiction (literary and commercial.) When I started writing, my reading became studying. And I found my influences, my personal literary canon. These are books from writers I admire, books which sit on my shelves (not just in my Kindle) so I can go back to them frequently, riffle through the pages, find sections or paragraphs or sentences or phrases that moved me, and get transported all over again. These books make me want to write better. 

My literary canon is listed below, alphabetically by author (no affiliates here, by the way.) This list is fluid in that it changes as I learn and grow. 

Amazing things come from the dark! I fell to my knees and crawled beneath a giant fir tree to get this image.

 


Do I have an absolute favorite?
Actually, I have two:
The Crimson Petal and the White (dark) and
Fall on Your Knees (darker still.)

 


Authors, do you have a literary canon? Which writers move you to write better? Readers and writers, any titles you can suggest to me?? 

My best to you,

Annie Signature Light Blue

 

 

Big News! Shortlisted for the Whistler Independent Book Awards

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by @AnnieDaylon


I am thrilled to announce that
Of Sea and Seed,
The Kerrigan Chronicles, Book I
has been nominated for the
2017 Whistler Independent Book Award.

 


I entered this contest because I love writing contests. In fact, I started with contests—story, poetry, and novel. I believe contests provide a viable route into the writing world and are therefore something that all authors among you should consider. Many times contests offer a word count limit and a time limit, both of which force you to hone your craft. Many times contests give a prompt, a creative spark, which forces you to think outside of the box. Both of my Vancouver suspense novels—Castles in the Sand and At the Heart of the Missing— have their beginnings in short stories that won contests. Castles in the Sand went on to win the 2012 Houston Writers Guild contest in mainstream fiction.

Of Sea and Seed is the recipient of the Book Readers Appreciation Group (B.R.A.G.) Medallion, bestowed for excellence in independent writing. And now, it has received this nod of recognition from the Whistler Independent Book Awards. My heart is in this book, readers. It is a literary and lyrical and suspense-filled sea saga, kindled when my father told me that a little girl had survived a tsunami in Newfoundland. 

 A ghostly family matriarch chronicles the lives of three generations of the Kerrigan family as they struggle to survive devastating tsunami, toxic secrets, and shocking betrayal in 1920s Newfoundland.

 

About the Whistler Awards…

The Whistler Independent Book Awards are relatively new, having been “established in 2016 to recognize excellence in Canadian independent publishing.” They are the “only juried Canadian award for self-published authors” and offer prizes in both fiction and nonfiction. This year, the three finalists for each of these categories will be announced on July 17th, and the winners’ presentation will be held at the annual Whistler Writers Festival, October 12th to 15th.

The Whistler Independent Book Awards, which are jointly administered by the British Columbia Whistler Writing Society and Vivalogue Publishing, are a boon for self-published authors who struggle to have their work recognized. The fact that these awards are juried and the winners chosen by distinguished authors can ease the burden for librarians, one of whom informed me that librarians wish to support independent writing but they do not have staff available to vet the tons of titles that cross their desks each year.

I am grateful that my work has been nominated for the 2017 Whistler Independent Book Award for fiction and am thrilled to be in illustrious company.

For more information, check out the

Whistler Independent Book Awards site.

 

 

A free short story is yours when you join my email list! My newsletters contain book news, blog posts, sneak previews, and, occasionally, fun facts about my beloved island of Newfoundland. To join, place the required information in the space provided on the right. Rest assured your email address will not be shared for any reason.


My best to you,

Annie Signature Light Blue

At the Heart of the Missing: Giveaway and Prologue!

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Goodreads Giveaway has ended!
Many thanks to all who entered.
Congratulations to winners, Cheryl and Brigitte!


At the Heart of the Missing is a psychological thriller about a woman’s fierce struggle to flee her abductor and a PI’s frantic search to locate her. It is a heart-wrenching tale about the ties that bind and the tragedies that break families.

 (Scroll down for prologue.)


GOODREADS GIVEAWAY!
April 5 – April 12, 2017.

Goodreads Book Giveaway

At the Heart of the Missing by Annie Daylon

At the Heart of the Missing

by Annie Daylon

Giveaway ends April 12, 2017.

See the giveaway details
at Goodreads.

Enter Giveaway

Prologue

Friday, May 6

Rose stands in the center of the living room, staring at the opaque, indestructible glass of the window nearest the fire escape. She smirks. Escape. There is no escape: the window is painted shut. She fingers her breakout tools—a pair of manicure scissors and a jagged cuticle pusher: scrape paint, raise window, crawl through. But her legs are leaden. It is all she can do to raise an arm to wipe her brow. A whiff of sweat triggers a wave of nausea. Swallowing hard, she glances toward the door.

Time is limited. Yes, he is gone overnight, but at dawn, a jangle of keys will assault her eardrums. She has gotten away with a few tiny deviations from his set of rules, from his idea of perfectionism. But this? This will not go unnoticed. What if she fails? She flinches as she flashes on yesterday: the setting of the table, the misplacement of a water goblet, and the blow to her ribcage.

A sob explodes from Rose’s throat. How the hell did she end up here? In this situation? Anxious, she thrusts forward, first one foot, then the other. She is making headway now, inching toward the window, almost there. At the window, she stalls again. What the hell is she waiting for? There is no time for hesitation, no time to question how she got here. But she has to think things through. All her life, she’s been completely in control, spiraling upward. All her life, she’s maintained independence. Needing no one. Accessorizing with and then casting aside lovers and friends. Her only true allies were blood: her sister and her mother.

But three years ago, her sister Margo vanished. Not a word, not a trace. Gone.

Three months ago, Rose’s mother died. Her body battered by cancer, her heart shattered by grief, Violet Harrington just gave up.

The losses left Rose out of touch, alone. Just Rose. A solo, independent woman. Now, imprisoned in front of the opaque window with her makeshift tools in hand, reality knifes her. What she created was not independence; it was vulnerability. Without a support system, she was a target. She was prey. With her porthole of time eroding, with every nerve stretched taut, Rose stares at the window.

How long had he hunted her?

 

Goodreads Book Giveaway

At the Heart of the Missing by Annie Daylon

At the Heart of the Missing

by Annie Daylon

Giveaway ends April 12, 2017.

See the giveaway details
at Goodreads.

Enter Giveaway

My best to you,

Annie Signature Light Blue

 

Creating the Cover: “At the Heart of the Missing”

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by @AnnieDaylon

In the indie world, the creation of striking cover for a novel starts with the vision of the author.

As At the Heart of the Missing moved through stages of growth (which included two title changes) I kept a space, a dark room in my mind if you will, where I allowed visual images to emerge and morph.

With this novel, as with Castles in the Sand  I worked with author/editor/designer Michael Hiebert. I remember that, with Castles in the Sand , I kept him waiting for three days while I located the cover image for that book. (Sorry, Michael.) I searched every site I could find and finally came up with the perfect cover, a picture of English Bay in Vancouver (the actual setting for the novel.) I found that picture on Shutterstock.com  which has been my go-to site ever since.

While I was writing At the Heart of the Missing, I logged in to Shutterstock and scrolled through images, popping those that interested me into a lightbox, a place where images can be saved for later retrieval. When the time came for my designer to create the cover for At the Heart of the Missing, I shared the lightbox images with him and told him what I wanted: cascading rose petals on a black cover with one small marigold and one small violet.

Using the images below, my designer layered the rose petal image fifteen times to get the desired effect. Since I couldn’t find a satisfactory image of a solo marigold, he chose one of the twenty in the third photo.

In the ebook world, one could stop there. But  At the Heart of the Missing will also appear in print– back cover needed! It was my designer’s brilliant idea to wrap the rose petal theme around to the back. I supplied back copy (description of book for reader), blurbs, and imprint with logo (McRAC Books).

How did I choose my business name and logo? Click to see post.

 

The space in the lower right hand corner of the back of the book is reserved for the International Standard Book Number (ISBN) bar code. (A note, dear Canadians, ISBNs are free for you from Library and Archives Canada.) 

The result of all of this? Ta-daaa!

Now available for Pre-Order on Amazon Kindle. Delivery Date: April 8, 2017.


I am thrilled with this cover creation and am fortunate to have worked with a designer I knew and trusted, one who brought my vision to fruition.

 A free short story is yours when you join my email list! My newsletters contain book news, blog posts, sneak previews, and, occasionally, fun facts about my beloved island of Newfoundland. To join, place the required information in the space provided on the right. Rest assured your email address will not be shared for any reason. 

My best to you,

Annie Signature Light Blue

The End of the Harvest

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by @AnnieDaylon

What follows is a seasonal story, flash fiction, originally written for a 24-hour writing contest for Writers Weekly and currently published in Passages A Collection of Short Stories. It is definitely one of my favorites…

The End of the Harvest

© Annie Daylon

            The little boy stands at the log cabin’s rear window, peering out at us. The corn stalks rustle in the brisk breeze, waving at him. Laughing, he returns their greeting. I want to wave at him too, but my limbs are shrivelled now, useless appendages. I sigh. I observe the boy.

He seems happy. Does he know? Has he heard the news about the baby brother that his mom promised him? Maybe. Maybe not. Maybe he is too young to be told.

But I know.

His mom, my caregiver, whispered many secrets as she planted the fields. When my seed sprouted and breached the surface of the rich soil, she stooped and told me about the life that was developing inside her own body. She promised that she would create siblings for me just as she was doing for her little boy. I beamed with pleasure for I did not want to live a solitary life.

In a short time, her truth became evident: I was surrounded by an abundance of relatives—long and green, round and yellow, plump and orange. So strong was my appreciation of my caregiver, so great was my loyalty to her that I tolerated without question the summer heat and the frequent watering and the incessant buzzing of the hordes that swarmed around, flitting from flower to flower. Without complaint, I obliged when she redirected the growth of my rapidly spreading arms. ‘Not here, but there’, was her mantra, as she donned kid gloves and shifted my limbs around. So much attention. So much care. I noticed that the bodies of both my caregiver and me were becoming spherical, and that hers seemed to achieve the desired shape more easily than mine. Obviously aware of that, she added regular rotation to my fitness regime. I responded by becoming corpulent and carroty.

The summer lazed away and autumn slid in to replace it. The rains came. And the mud. And the children, bus loads of children, laughing and trampling and squelching through the muck. Choosing and plucking and stumbling away with their heavy bundles. One by one, my brothers and sisters and cousins disappeared. I wondered how it was that so many school children whirled around me, brushed against me, slid past me, and yet, none chose me. My caregiver explained that she had great plans for me, that I was the chosen one, the one who would light her doorway on that important night—All Hallows’ Eve. I would be the first to welcome the newborn child she would carry to the door that very day. I would witness the smile on her little boy’s face when he first saw his new brother. All this she promised me.

But sometimes promises are broken.

 When I had grown to the size of a soccer ball, I looked to compare my shape with hers and realized that her spherical form had vanished. Her body had flattened, returned to its former size. Her spirit, too, had vacated, leaving only sadness, which bled through her pores. Empty in both body and spirit, she had no words, no whisperings. On most days, she just stayed away.

So now I lie here—alone. Leading a solitary life after all, the very life I did not want. But what of the boy? Is he still waiting for his new brother?

The dusk deepens on this, All Hallows’ Eve. The wind picks up and the front gate swings and creaks. Puffs of blue smoke rise from the kitchen chimney. The house is well-lit now, but here, in my resting place, it is dark and lonely. As night falls, my body sinks and just sits, marinating in mud.

Suddenly, the cabin door opens and she emerges. She dons her heavy boots and, with her head low, trudges through the mud toward me. Nearer and nearer. As she stoops, I long to console her, to slide my arms up her back and embrace her. But my arms are just flaccid vines and it is she who comforts me, talks to me, apologizes for leaving me alone for so long. I want to tell her that I understand. She reaches into her pocket, retrieves a knife and frees me from my vines. Then, she hefts me into her arms and straightens her back.

On the way to the cabin, my caregiver explains that there is a new plan—that she wants me to smile for her young son. This evening, she will carve a grin on my face and, while she is doing that, she will tell her son that he will always be a solitary child. We reach the porch and hover there, waiting for her body to stop trembling and her tears to abate.

Despite her distress, I am pleased with this new plan. I want her to carve me a ridiculous grin, tooth-filled or toothless, whatever it takes to ease a lonely boy’s acceptance of unwelcome news. I know of the difficulty of the solitary life. Unlike the boy, I have experienced the joy of siblings; however, many died before maturity and all the others were taken away. Like the boy, I represent the end of the harvest. I am the very last pumpkin from the pumpkin patch. Together, the boy and I—and our mutual caregiver—will face the night.

*****

Passages Book Cover
My best to you,

Annie Signature Light Blue

 

Indie Author Day

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by @AnnieDaylon

indieauthorday_postcard_authors_5x7_web_214_300October 8, 2016 is INDIE AUTHOR DAY , a day when libraries across North America host indie authors. The event will raise awareness of self-published books, demonstrate their place as a vibrant part of publishing, and provide a vital connection between indies and readers.

 

Who is involved?
Hundreds of Libraries, Thousands of Indies across North America!

Am I participating? Yes!

I will be reading and signing books at the…

Vancouver Public Library Indie Author Day Event
Date: Saturday, October 8th
Place: Central Branch of VPL, 350 West Georgia St.
Time: 11:00 a.m. to 2:00 p.m.
Activities: Author Readings, Author Tables, “Talk-to-an-Author” Corner.
In Vancouver on October 8th?  Drop by and say hi!
Not in Vancouver on October 8th? Check out this event in your own area>> List of Participating Libraries

Free Short StoryA free short story is yours when you join my email list! My newsletters contain book news, blog posts, sneak previews, and, occasionally, fun facts about my beloved island of Newfoundland. To join, place the required information in the space provided on the right. Rest assured your email address will not be shared for any reason. 

My best to  you,

Annie Signature Light Blue

Anecdote on Re-Adjusting to Academic Life

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by @AnnieDaylon

Back to School Anecdote

Today is Labour Day in Canada. That means tomorrow, for many, is Back-to-School Day. 

Memories always emerge around this for me, mostly memories of returning to teaching. This year, however, prompted by the knowledge that a cherished relative is returning to school after a long stay in the work world, I’m remembering the time when, after ten years in the work force, I decided go back to university.

Yours truly. Grade Two.

Yours Truly.
Second Grade.

I’d always liked being a student so I gave no thought to the fact that I would have to re-adjust to student life. The first course I signed up for? Statistics. (Ouch!)

I hadn’t studied Math at all in my undergraduate work; the last Math class I had taken was grade eleven Algebra, a mere fifteen years earlier.

In my first Stats class, the professor distributed a pre-test to “see where we stood.” My score? 63%. When I asked that professor about improvement strategies, he told me that I was not likely to improve at all. The laws of predictability and outcome were such that my pre-test grade would not change.

I’m sure my mouth was agape while I stared at him. I don’t recall what I said to him but I remember exactly what I was thinking: Chuck you, Farley. You can take your statistics and stick them where the sun don’t shine.

Did I quit? No. 

For a couple of classes, I watched the other students. I picked out the highest achiever and I approached him. I offered to pay him to tutor me. He said he would tutor me but he wouldn’t charge me because he saw this as an opportunity to improve his teaching skills. 

The long and the short of it: I worked with him, I worked on my own, I worked my ass off. On the first mid-term exam, (and I think it darn near killed that stats prof to tell me this) I scored 93%. Apparently, all I needed was adjustment time and a little help.

To all those of you who have decided to return to the classroom: becoming a student again is a transition. Give yourself time to adjust. Don’t let anyone tell you that you can’t do it. Be determined. Beg, borrow, barter… whatever it takes, seek the help you need.

Yours Truly. M. Ed.

Yours Truly.
          M. Ed.

You made the decision to go back. Make it work, your way.  

My best to you,

Annie Signature Light Blue

Reviews are Gifts. This One? Priceless!

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by @AnnieDaylon

Tweet from Lynne Legrow_jpg-large

“Historical fiction should do two things. #1 Portray the time period, culture, and events with accuracy (i.e. be well researched); #2 Entertain. Annie Daylon’s “Of sea and seed” succeeds on both counts.” ~ Lynne LeGrow

It’s a struggle for indie authors to get recognition for their work. There is a constant push and pull between writing and marketing; often I bypass the latter because I fear that when I feed the marketing machine, I starve my first love which is writing.

For me, (I dare say for all authors) every review–good, bad, or indifferent–is a gift. Someone, somewhere has taken the time to read your book and to offer an opinion. When I received a review from Lynne LeGrow,  a trusted reviewer for many imprints including Simon & Schuster Canada, I was over the moon, not only because it was polished and positive, but also because it showed up at a time when I wondered if I should continue. 

Suffice to say, I am grateful to Lynne, as I am to all readers and reviewers. Colman Gratitude Readers and Reviewers

Without further ado, here’s Lynne’s review>>> CLICK HERE

Excuse me, but I have a novel to finish…

My best to you,

Annie Signature Light Blue

 

Summer Solstice Splash ‘n Cash Rafflecopter

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by @AnnieDaylon

Rafflecopter over! Thanks so much for entering! 🙂 

WELCOME!
Enter Splash ‘n Cash Rafflecopter for a chance to win $100! (No purchase necessary!) 

 

Summer Solstice
 Splash ‘n Cash Giveaway!

 

$100 Grand Prize
(Amazon Gift Card or PayPal Cash)

 

Sponsored by:

 

Best of luck! eNovel-Round-Logo

Annie Signature Light Blue