Canada: Authors, Libraries, and the Public Lending Right Program

by @AnnieDaylon

Canadian Authors: Did you know that you could be compensated for having books in libraries in Canada? How? Through the Canada Council for the Arts Public Lending Right Program.

Canada book Public Lending Right Program

According to Wikipedia, a Public Lending Right (PLR) program is a program “intended to either compensate authors for the potential loss of sales from their works being available in public libraries, or as a governmental support of the arts, through support of works available in public libraries, such as books, music and artwork.” Twenty-eight countries, including Canada, have such programs.

In Canada, when books are purchased by ( not donated to) libraries, authors may receive compensation over and above the royalty. The compensation comes in the form of an annual payment from the Public Lending Right Program. 

ELIGIBILITY:
Who is eligible?
Canadian citizens who are illustrators, photographers, translators, anthology contributors, or editors with original written contributions are eligible.
What writing is eligible?
Works of poetry, fiction drama, children’s literature, nonfiction or scholarly work are eligible. (more details on eligibility here)
Which Libraries are eligible?
Every year the PLR chooses seven public library catalogues in each language group. According to the PLR website, “The selection of public library catalogues takes into account the desire to include substantial collections and to represent the various regions of Canada.” The list of eligible programs is not broadcast in advance. This is for fairness and to prevent participating libraries from being inundated with purchasing requests from authors.

PARTICIPATION:
How Do Authors Participate?

To participate, authors must register. You will not receive compensation unless you are registered with the Public Lending Right Program. Registration is required annually, between mid-February and May first. 
You can go to the site now and request an email reminder about registration for 2017. (Registration Link)

PAYMENT:
There is a $50 threshold set for a PLR payment(For details on the payment scale, go HERE>)
For me, this scale means that

  • If the FVRL (the library system which purchased two copies of one of my titles) is on the list for 2017, and If I register in February of 2017, I get $50 for that year (payment is per title, not per book.)

  • If I land that same title in another participating library system, I get $100. And so on and so on, to a maximum of $350. 

According to Peter Schneider, Manager of the Canada Council for the Arts Public Lending Right Program, the maximum paid to one Canadian author last year was $3500.

I’m in! How about you? Yes?
If you have titles in Canadian libraries, then remember to REGISTER. If you don’t have titles in Canadian libraries, then start by applying to the acquisitions librarian in your own community. (See previous blog post: How I Got My Indie Novel into the Library System.)

For more information go to: Public Lending Right Program

Do you have any comments about or experience with a Public Lending Right Program? Please share your comments, share this post, and share the wealth! All authors need this support.

Free Short StoryA free short story is yours when you join my email list! My newsletters contain book news, blog posts, sneak previews, and, occasionally, fun facts about my beloved island of Newfoundland. To join, place the required information in the space provided on the right. Rest assured your email address will not be shared for any reason. 

My best to you,

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How I Got My Indie Novel into the Library System

by @Annie Daylon

 

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I had no idea that indie authors could apply to have books purchased by libraries. When the illustrator of my picture book mentioned it, I delved into research. When Stephanie Hopkins of IndieBRAG asked me to share my journey on their blog, I jumped at the chance.

Here’s a snippet:

At my local library, I spoke with the community librarian who gave me the contact information for the acquisitions librarian.
In my application email to acquisitions, I included:

  • a brief bio;

  •  cover images of available titles (linked to Amazon);

  •  mini-synopses;

  •  website link; and

  •  contact info.

When a couple of weeks passed with no response, I emailed again.
Still no reply.

SEE MORE HERE

ATT: Canadian Authors>>> Did you know that you can be compensated for having your books in (purchased by) Canadian Libraries? Check my next blog post (July 11, 2016) for details!


Free Short StoryA free short story is yours when you join my email list! My newsletters contain book news, blog posts, sneak previews, and, occasionally, fun facts about my beloved island of Newfoundland. To join, place the required information in the space provided on the right. Rest assured your email address will not be shared for any reason.

 

Many thanks to Stephanie Hopkins, BRAG Medallion, and the Fraser Valley Regional Library System!

My best to you,

Annie Signature Light Blue


 

The B.R.A.G. Medallion: A Boost for Indie Authors

by @AnnieDaylon

What is the B.R.A.G. Medallion?

The Book Readers Appreciation Group Medallion is an award bestowed for excellence in indie publication. Awards are given based on plot, characters, writing style, dialogue, copy editing, as well as cover and interior Layout.

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BRAGMedallion.com is owned and operated by indieBRAG, LLC, a privately held organization that has brought together a large group of readers, both individuals and members of book clubs, located throughout the United States and in ten other countries around the globe.”
 ~  Who We Are at indieBRAG 

A B.R.A.G. Medallion is a boost for indie authors. In addition to 10 copies of a gold award sticker, honorees receive reviews on Amazon and Goodreads, mentions on Twitter, and pictures on Pinterest.

The B.R.A.G. website 
posts news from authors about their readings and publications and displays donated print copies at book expositions.

Recipients also receive an opportunity to do an interview about their winning work and their writing process (an opportunity I jumped at!) 
These interviews are conducted by Stephanie Hopkins at Layered Pages. 

An excerpt for you, of my B.R.A.G interview …

“Hi, Annie! Thank you for visiting with me today to talk about your latest B.R.A.G. Medallion! First, tell me how you discovered indieBRAG?”

“Happy to be here! Thanks for the invite!

“I discovered indieBRAG on Twitter when another author tweeted that she had received the B.R.A.G. medallion. I followed the indieBRAG link and, impressed with what I read, I submitted my novel, Castles in the Kerrigan Chronicles Indie Brag imageSand which became a B.R.A.G Medallion Honoree. Due to the numerous benefits of indieBRAG—Amazon and Goodreads ratings, tweets, Facebook feature, Pinterest posts, Stickers, and an interview with Layered Pages—I was eager to submit my current release Of Sea and Seed for indieBRAG recognition. I am thrilled to have received the honor a second time.”

“I must say, I adore your book title and cover. Please tell me a little about your story and the inspiration behind it.”

The Story… Of Sea and Seed is set on the island of Newfoundland….” 

             Read More Here 

 Many thanks to IndieBrag and Interviewer Stephanie Hopkins! 

 Free Short Story
A free short story is yours when you join my email list! My newsletters contain book news, blog posts, sneak previews, and, occasionally, fun facts about my beloved island of Newfoundland. To join, place the required information in the space provided on the right. Rest assured your email address will not be shared for any reason.

My best to you, 

Annie Signature Light Blue

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My Novels. My Research. (Vancouver Bound: Boots on the Ground)

by @AnnieDaylon

shutterstock_212016496I am a multigenre author, born in Newfoundland, living in British Columbia. My novels are reflective of my bi-coastal experience in that they are set on the opposite ends of Canada: Newfoundland or Vancouver. The time element is also extreme: I plunk my work anywhere from the 1920’s to the now. The research methods vary, dictated by setting. The Newfoundland novels catapult me into the past: I read and view everything I can find on the historical events and settings. Here, I am focusing on the Vancouver novels (yes, plural because I’m nearing the end of the second) which are set in present-day and require boots-on-the ground research.

My first Vancouver novel, CASTLES IN THE SAND, is set in 2010 in the west end and, in addition to online research regarding the city and the plight of its homeless, I made two specific trips to the city.

On the first trip, I left the comfort of my west-end hotel at the cusp of dawn on a relatively-warm winter day and hiked the full length of Robson Street. Why? To see, hear, and smell the world as my main character, a homeless man, does. When he observes the pigeons strutting the sidewalk, he notices (because I notice for the first time) that the

  • “little bastards have red feet.”

The predominant aroma for him is the smell of coffee (not the smell of ocean air as I had expected.)

  • “I take a deep breath so I can suck in the Starbucks. All the beautiful people carry Starbucks.”

He hears the day beginning, not just generically in the roar of traffic but specifically:

  • “The bus engine grumbles…Whooossssh. Air brakes.”

  • “Won’t be long before the bolts on the door of the shoe boutique behind me twist open. Three bolts. Every morning. Like clockwork. Click. Click. Click.”

 That day, I also walked the Vancouver Seawall, toured Gastown, and ate at the Spaghetti Factory, all the while taking notes. My best discovery? At the end of a long day, while walking back to my hotel on Robson Street , I saw a young man in a white, puffy jacket. He was talking to a homeless man. I didn’t want to interfere but I wanted to eavesdrop, so I strolled past. The young man was saying “Let me help you to a shelter.” I pinged on that. For my novel, I created a new character, a Good Samaritan, who was dubbed “Marshmallow Man” by my main character.

  • “Some guy in a puffy, white jacket hovers over me. A marshmallow. A goddam talking marshmallow.”

My second trip to Vancouver was to finalize details. The backstory of my homeless character was that he had lost his home during the real estate crash. I had a specific residence in mind for him, one that I had found in the MLS listings, and walked the area surrounding that very house. I went to the nearby park where my fictional family played. There, I sat on a bench and penned a description of both house and park. I walked the tunnel under the Granville Bridge. And I sat in the foyer of the Central Branch of the Vancouver Public Library where I noticed a pigeon strutting the floor, a pigeon that inspired a caring moment for my homeless character. It was in the library that it occurred to me that all the chattering voices around me melded in to a ghost-like drone, into

  • “whirling ghosts of indiscernible chatter.”

The effect of all that research was not only that I was better-able to detail the journey of my character but also that I am now better-equipped to notice detail daily. (A bonus for a writer.) 

As for current research… My Work-in-Progress is a crime thriller set in present day Vancouver, again in the west end. I have the characters and the details down, most of them anyway. But I want, once again, to walk in the shoes of my characters. This time I will take the Aquabus to Granville Island, visit a café on the beach, shop at Pacific Centre,  detail heritage buildings in the area, and, most importantly, do some people watching.

In short, in a couple of weeks, I’m Vancouver bound. Boots on the ground. Can’t wait!  🙂 

I invite you to join my author journey: subscribe to blog or newsletter or both! The newsletter contains news about books, links to some blogs, and occasional fun facts about my beloved island of Newfoundland. To sign up, simply place the required information in the spaces provided on the right. Rest assured your email address will not be shared for any reason. eNovel-Round-Logo

My best to you,

Annie Signature Light Blue 

Storyboarding with the W Method

by @AnnieDaylon

sTORYBOARDING

Curious about how authors create their novels?

Some write freely, discovering the story as they go along. I do that, to a point. Then, with basic plot, key characters, and some scenes in mind, I create an outline.

I have experimented with different ways of outlining, including the use of note cards, step sheets, the Snowflake Method, and software, all of which are detailed by Robbie Blair in Eight Ways to Outline a Novel.  

The method that works best for me is the Storyboard. It is the most tangible, visual, and accessible way of plotting a story. Sometimes I have used a linear model, simply placing chronological plot points on a straight line.

In my Work-In-Progress, a three-act thriller set in Vancouver, BC, the story takes place over ten days. The details are tight. I want certain characters in a certain place at a certain time and I have to keep track of their every move. Enter: the W Storyboard.

Storyboarding by Mary Carroll Moore

Storyboarding by Mary Carroll Moore

My W Storyboard is based on Mary Carroll Moore’s model which lends itself well to the three-act structure common in the thriller.

The first line of the W—top to bottom—gives the story setup.

The first low mark represents the first portal or turning point. Once a character crosses that threshold, she must continue the journey. There’s no turning back. Either she can’t get back or there is nothing to go back to. (To quote fellow writer Brian Rodda, “The village is burned, the villagers are dead.”) 

Each successive point on the W, as shown in Mary Carroll Moore’s Youtube video, is another portal, another change in direction.

Because I usually know the turning points when I start my storyboard, it’s easy to fill in the portals on the W. After that, I have to get the characters to those portals and that means creating step-by-step details.

Using colorful sticky notes, I write plot points and place them along the lines of the W.  Wonderful things, those sticky notes: I frequently make changes and the notes can be pulled off and popped on easily. (Word of warning: if you plan to use sticky notes, buy the good ones; the cheaper versions tend to lose their stickiness and flit around like butterflies.)

My current storyboard has more than just plot. It includes:

  • Dates of Events, displayed on contrasting  sticky notes;

  • Images of actors who represent the visual type I’m trying to portray;

  • Character descriptions, detailing height, weight, hair, skin tone, eye color. (These are mere reference points which help avoid simple mistakes, such as a page 27 green-eyed character becoming brown-eyed on page 215.) 

  • Settings, sometimes written, sometimes images. (One setting in my thriller is a city loft, so I printed out a floor plan that suits my needs and pasted it on the board.)

Mary Carroll Moore states that her W formula is based on a book The Writer’s Time by Kenneth Atchity. The revised version, one which I am about to download, is on Kindle. The new title? Write Time: Guide to the Creative Process, from Vision through Revision-and Beyond

If you are an outliner, do you have any outlining tips? 

If you are a pantser, what are your thoughts about outlining?eNovel-Round-Logo

I invite you to join my author journey: subscribe to blog or newsletter or both! The newsletter contains news about books, links to some blogs, and occasional fun facts about my beloved island of Newfoundland. To sign up, simply place the required information in the spaces provided on the right. Rest assured your email address will not be shared for any reason. 

My best to you,
Annie Signature Light Blue

 

 

 

 

Pick of the Twitter: June, 2015

Pick of the Twitter 005

 

Looking for writing/marketing tips? Here are my Top Twitter picks for June, 2015:

  1. Query Question: maps, illustrations and other visuals in novels  @JanetReid

  2. 3 Steps to Driving More Traffic & Selling More Books or Products via LinkedIn @WriteToDone

  3. How Authors Can Evaluate Hybrid Publishers @JaneFriedman

  4. Why Small Business Owners Should Seriously Consider Blogging @socialmedia2day

  5. The Complete List of Creative Distractions and Defenses Against Them @WriterUnboxed

  6. Want to Build an Email List? 7 Newsletter Platforms to Choose From @thewritelife

  7. Writing About Guns: 10 Errors to Avoid in Your Novel via @JaneFriedman (TY. Am writing thriller. Vital to know facts!)

  8. How to take a break from writer’s block by James Chartrand @menwithpens

  9. Writing a Book? How to Know When to Stop Editing and Move On @thewritelife

  10. Q&A On Writing, Self Publishing And Book Marketing @thecreativepenn

  11. Split Narratives: Dividing Your Story Between Two or More Narrators  @aliventures

  12. What Every Writer Ought to Know About the Omniscient POV @KMWeiland

  13. Writing When It’s Difficult to Write @elizabethscraig

  14. The Great Big List of Twitter Lists, Ideas, and Tools @socialmedia2day

  15.  A HUGE list of free ebook sites for authors to promote their free ebooks!  @bkmkting

  16. The difference between editing and proofreading: @LeahMcClellan

  17.  Where’s the white space? How writers can show, not tell, through dialog and narrative @CSLakin

  18.  “Long Term Book Marketing” @bkmkting

  19. The Only Thing You Need to Know About Writing Strong Female Characters @KMWeiland

  20.  Email Newsletters for Authors: Get Started Guide  @JaneFriedman

Many thanks to Tweeters and Bloggers alike!

 

Free Short Story

 

A FREE SHORT STORY will be yours when you subscribe to my Author Newsletter by placing your first name and email address in the space provided on the upper right. 

 

My best to you,
Annie Signature Light Blue

B.R.A.G. Medallion: A Boost for Indies

by @AnnieDaylon

registered- 800The Book Readers Appreciation Group Medallion  for excellence in indie publications includes not only a shiny gold sticker, but also a host of other treasures:  reviews on Amazon and Goodreads, mentions on Twitter, and images on Pinterest.  B.R.A.G. also posts news provided by authors about their readings and publications. If  honorees send B.R.A.G. a print copy of their book, B.R.A.G. will display that book at many book expositions.  In addition, B.R.A.G. affords its recipients the  opportunity to do an online interview about their winning work and their writing process.  I jumped at the opportunity of doing an interview about my B.R.A.G. honoree novel, Castles in the Sand, and had the pleasure of working with Stephanie Hopkins of Layered Pages.

A sample for you, of my interview…

Stephanie:  Hello Annie! Congrats on the B.R.A.G. Medallion for your book, Castles in the Sand. How did you discover indieBRAG and what has been your experience with self-publishing thus far?

  • I discovered indieBRAG on Twitter. Another author tweeted that her book was a BRAG Medallion recipient; I was curious so I followed the link to indieBRAG.
  • A steep learning curve, that of self-publishing. At times I felt as though I were scaling a vertical wall. I had to learn (am still learning) not only the business of writing, but also the use of technology. (Three years ago, I didn’t have a website, didn’t know an analytic from a hashtag, etc.) I sacrificed writing time to acquire skills in both these areas; unfortunately, that was necessary. But now, writing comes first and I squeeze marketing and tech into whatever time is left.

See more here: Interview with B.R.A.G. Medallion Honoree Annie Daylon 

Back to Work! Armoire/Office is open today! :-)

On Layeredpages.com, my armoire/office was Closed. Here’s the Open version. (No vacation today!)

 

 

A Note to Indie Writers…
For a nominal fee,  B.R.A.G. Medallion will consider your self-published novel on basis of Plot, Characters, Writing Style, Dialogue, Copyediting, Cover/Interior Layout.
Visit B.R.A.G. for a potential boost!


Please subscribe to my blog by placing your email in the space provided on the right. Thank you!

My best to you,

Annie Signature Light Blue

 

 

 

Pick of the Twitter: July, 2014

Pick of the Twitter 005

 

Looking for writing/marketing tips? Here are my Top Twitter picks for July, 2014:

  1. Getting Things Done: The Art of Workflow Management  by Molly Greene @mollygreene

  2. 16 things to do prior to sending your work out to agents & editors  by Chuck Sambuchino via  @WritersDigest

  3. Top 5 Pet Peeves in Books–Angela Ackerman | Mindy Hardwick’s Blog   via @AngelaAckerman @WriterJoMalby

  4. A day in the life of a Literary Agent by Katie Shea Boutillier via @WomenWriters

  5. Foreshadowing’s #1 Job in Your Story by @KmWeiland

  6. Pitching a Guest Post? 7 Ways to Stand Out in an Editor’s Inbox by Adrienne Erin via @thewritelife

  7. Query Question: Plan B  by Janet Reid @Janet_Reid

  8. 5 Tips to Help Writers Avoid Overwhelm   by C. S. Lakin @CSLakin

  9. What exactly does a Poet Laureate do? by  via @nytimesarts @nationalbook

  10. Tips to help you be successful on a blog tour! by Stephanie Bond @stephaniebond via @bkmkting

  11. 10 Tips to Writing Excellent Book Reviews  via @IndieAuthorNews

  12. 5 Things to Keep In Mind When Writing a Memoir by Diane O’Connell @WriteToSell

  13. A free directory of cover designers, formatters, freelance editors, and more by Elizabeth S. Craig @elizabethscraig

  14. How Many Tweets is Too Many Tweets?   by Jade Furubayashi via @simplymeasured @HughOSmith

  15. A Writer’s Guide to Stop Panicking and Get the Most from a Critique  by Emily Wenstrom @emilywenstrom via @write_practice

  16.  Authors: 11 Ways to Quote Promote Your Book Using Images   by R. J. Adams via @bkmkting @Joelfriedlander

  17. Stephen King’s 20 Tips for Becoming a Frighteningly Good Writer  via @111publishing

  18. 4 Ways Authors Can Reach Readers on Pinterest by Jody Hedlund @JodyHedlund

  19. Dealing with Rejection Letters from Agents & Publishers  by Ron Yates @Jhawker69

  20. So You Want To Make A Living Writing? 13 Great Truths  by Bob Mayer @Bob_Mayer

  21. Using Track Changes to Revise an Outline by Elizabeth S. Craig @elizabethscraig

  22. Manage Your Beta Readers  by Richard Ridley via @CreateSpace

 

Many thanks to Tweeters and Bloggers alike!

Please subscribe to my blog by including your email in the space provided on the upper right.

My best to you,

Annie Signature Light Blue

Putting on my ‘Top’ Hat…

by @AnnieDaylon

 

shutterstock_150959219 1Ever struggle with wondering if you are doing enough, or if you are doing the right thing as an author? I certainly do.

A while back, I attended a workshop by successful indie author, Jodi McIsaac, who listed twelve hats that an indie author must wear, among them: writer, editor, bookkeeper, webmaster, marketer, distributor, etc. Sometimes my head is spinning with choices: Which hat today? Do I need to update my site? Do I focus on marketing? Do I work on my budget? It’s dizzying!

I have come to realize that I cannot do it all; when I try to wear too many of these hats in one day, my writing (quantity and quality) takes a hit. I have to set priorities.

Recently, I found two helpful posts that deal with making such choices:
What Learning to Say No Really Means by Alexis Grant, and
Fighting Overwhelm: How I am Learning to Refocus My Workload by Joanna Penn.
Both talk about managing workload, about focusing your time, about giving up some things, even things you don’t want to give up.

The key for me?
Deciding the most important thing and doing that FIRST and FOREMOST. Right now, that happens to be writing the first book in a novel trilogy. I am immersed in it, writing every morning for a minimum of three hours.
Yes, I tweet. Yes, I blog. But mostly, I write.

shutterstock_188628719

If you are juggling too many hats: stop, focus, prioritize, and choose the hat that best fits right now.

For me the right thing, right now, is the write thing. That’s my ‘Top’ Hat!

What’s yours?

 

A free story will wing its way to you when subscribe to my Author Newsletter by placing your first name and email address in the space provided on the upper right. Many thanks!

My best to you,

Annie Signature Light Blue

My Goodreads Giveaway Experience

by @ AnnieDaylon

 

CASTLES-IN-THE-SAND (2) brag medallion

 

 

Indie authors have a lot of work to do in terms of marketing. If you are considering a paperback giveaway (as I did for Castles in the Sand), consider doing it through Goodreads. Here’s my experience:

 

 

  • In July, I

    • Checked the details on Goodreads:
    • Contacted Goodreads with minor questions (got quick response)
    • Chose the dates (August 1-31).
    • Elected to give away 10 books.
    • Filled in, submitted the Form. Goodreads published the Giveaway almost immediately. (Super efficient!)
  • During August, I

    • promoted through Twitter, Linked In and Email List.
    • set aside a box labeled “Goodreads Giveaway. Into it, I put 10 books, each with a bookmark, 10 mailing envelopes, 10 handwritten notes which congratulated winners and asked if they would rate/review the book on Goodreads.
      • Note: I left space for individual name on each note.
  • On August 31st , I

    • checked Goodreads and discovered that there were 428 entries in the Giveaway.
    • checked my email. The list of winners was there, 5 in Canada, 5 in the USA. (Did I mention that Goodreads is efficient?)
    • made address labels for the winners
    • packaged the books
      • Note: If possible, keep size within post office limits. (In earlier attempts at mailing, I slipped books into corrugated covers. Mistake! Way too expensive! Use paper!)  Each of my books fit through the standard postal slots so regular mail fees applied. Fortunately, I live very close to the U.S. border, so I mailed books bound for the United States in the United States. Mailing costs? In Canada, $3.75/book. In the U.S., $2.53/book.
  • In September, I

    • Read a wonderful email from an excited winner.
    • Received (to date) three reviews on Goodreads, one of which also appears on that reviewer’s website Book Reads and Reviews. (Many thanks to all who took time to rate/review the book!)
    • Emailed Goodreads to thank them for their support and efficiency.
Goodreads: Author's Guide to Giveaways

Goodreads: Author’s Guide to Giveaways

For me the Goodreads Giveaway was an excellent marketing experience, one that I wish I had known about sooner. That’s the thing with going indie; so much to do! As I wrote to a helpful staff member at Goodreads, ‘I wish that I could assemble the minions! Alas, there is only me.’

But, then again, there is Goodreads!

My best to you,

Annie Signature Light Blue